Exhibition writing and catalogue development for Medusa Cameos Exhibition: Feminist vs Medieval Christian Iconography. The project centers on critical analysis and narrative framing, using art historical research and feminist theory to position Medusa as a contested symbol across time. The catalogue includes curatorial text, object descriptions, and a comprehensive works cited, forming a scholarly yet accessible publication.

Abstract —
The “Medusa Cameos Exhibition: Feminist vs Medieval Christian Iconography” welcomes all visitors to view this incredible collection of rare cameo pieces dating back to the first century. This exhibition was curated to engage dialogue and reflection, examining the dichotomy of feminism perspectives with medieval Christian iconography to contextualize the profound narratives pertaining the mystical figure, Medusa. Each Medusa cameo is tied to the theme and implores viewers to dive deeper into the concepts surrounding the exhibition. Embrace the visage of the seductress, her gaze set in stone, honor the monstrous figure. Is she evil? Is she a protector? You decide!

CREDITS —
Exhibition & Writing: Kameo Chambers
Catalogue Design: Kameo Chambers
Research & Works Cited: Kameo Chambers